R
E V I E W : Option Zero
Reviewed 5/2/01 | Background | Movie
Review | DVD Review | Recommendation
Background
Mega Star / 1997 / 96 minutes
Directed by Dante Lam Chiu Yin
Written by Chan Hing-Kar
Dante Lam Chiu Yin worked for years with veteran producer/director
Gordon Chan before directing his first film. He was credited
for most of that time as assistant director but also as an associate
producer. Chan Hing-Kar's name appears on the credits for scripts ranging
from A Better Tomorrow to Vampire's Breakfast to Alien Wife to First
Option to Task Force.
The film was released in Hong Kong cinemas in late November
1997.
Director Lam subsequently directed Beast Cops (with
Gordon Chan), When I Look Upon the Stars, Jiang
Hu: The "Triad" Zone, and Hit Team. Writer Chan has scripted
Hitman, Beast Cops, Okinawa
Rendez-vous, and Jiang
Hu: The "Triad" Zone.
Movie: plot, performances,
production, rating
Plot: As the film begins, Hong Kong is one month from the 1997 handover.
The Special Branch of the police force has the responsibility for all
internal security for HK. Ben is a team member in the Special Branch;
his team is assigned to investigate some shady characters from Taiwan.
His personal life is beginning a new chapter with the recent move-in
of his girlfriend, Kelly. Ben's team is led by veteran cop Ah Sing (who
takes his long-time girlfriend Grace for granted) and includes family
man Joe, tough female cop Mon (short for Monica, who harbors a crush
on Ben), and Jim (or Chi, I've seen the film twice and still can't be
sure of his name; in any event, he harbors a crush on Mon). The personal
lives of Ben and Ah Sing (and their respective love interests) are shown
in contast with their danger-filled jobs. Eventually the Taiwanese criminals
are shown to have a connection with arms dealers in Korea, and the danger
level is ratcheted up.
Performances: Julian Cheung Chi Lam is not completely convincing as
Ben. He lacks the requisite toughness, but he moves well and looks like
he can handle firearms. Anthony Wong Chau-Sang conveys in the right
measure both authority as a cop and resignation as a man responsible
for and stuck in a stagnant relationship - not only does he not know
what to do to change things, it's not clear that he actually wants to
do anything about it. Carman Lee Yeuk-Tung has the thankless role of
Kelly. Most of her part consists of looking cute and complaining about
Ben's job. Since an early scene makes it clear that she chose Ben over
another man, it makes one wonder - did she have no clue at all about
what police work entailed? Monica Chan Faat Yung possesses the grit
and determination to make her tough cop ("one of the boys")
believable as well as the vulnerability to pull off her emotional scenes.
I was not able to identify the actor who played Jim/Chi, but he made
a favorable impression. So did Farini Cheung Yui-Ling as the desperate
Grace and Nancy Lan Sai, who provides most of the film's few humorous
moments as Kelly's friend Amy. Michael Wong has a small cameo as a police
instructor.
Production: Director Dante Lam learned well from Gordon Chan how to
pace a film. The action sequences are edited (by Chan Kei-Hop, another
in his long list of exemplary credits) and choreographed (by Chin Kar
Lok) to within an inch of their life. The camera is constantly moving
during those scenes, but wisely is much more restrained during the relationship
scenes. Horace Wong Wing-Hang served as cinematographer; Wong shot all
of John Woo's classic HK films and has also worked with Johnnie To,
Gordon Chan, and, most recently, Jackie Chan (The
Accidental Spy). The script by Chan Hing-Kar is a bit disappointing,
however, because the bad guys are never brought into focus (I never
could figure out what exactly they were trying to do and why) and the
relationship scenes are paint-by-number. The musical score by Umebayashi
Shigeru was very effective: aggressive and minor key without sounding
too dark. Director Lam used the music wisely. Sometimes it added to
the tension, and other times action scenes (or parts of scenes) play
without any music.
Rating: Category IIB. Several extended scenes with explicit gunshot
violence and blood spray; a couple of discreet sexual situations.
DVD: look, sound, subtitles,
and features
Look: The letterboxed (approximately 1.85:1) presentation looked very
good for the most part. Some sections of the film appeared a bit soft;
in others the black levels were sufficiently deep. The color palette
used seemed to reflect the filmmakers' intention to make a realistic
contemporary police story -- no garish colors, but neither did it look
like a faux-documentary.
Sound: I listened to the DD 5.1 Cantonese audio track and was very
impressed. The plentiful gun battles and explosions were reproduced
in full glory; the music and dialogue also sounded natural. Also included
is a DD 5.1 Mandarin track.
Subtitles: The white removable English subtitles are easy to read and
well timed with the usual number of grammer and spelling mistakes --
nothing too distracting. Also provided are subtitles in traditional
and simplified Chinese, Japanese, Korean, Thai, Bahasa (Indonesia),
and Bahasa (Malaysia).
Features: Nine chapters can be selected from a still-frame menu. "About
the Film" contains filmographies for producers Gordon Chan and
John Cheung, director Dante Lam, and stars Julian Cheung Chi Lam, Carman
Lee Yeuk-Tung, and Anthony Wong Chau-Sang. The original theatrical trailer
is included; "More Attractions" is the oft-used Media Asia
promotional commercial. The disk does not have time coding.
Buy, rent, or pass?
Buy. The action scenes are quite gripping; the relationship scenes
are a bit predictable but are reasonably well-handled.
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